Automation index
How much of a Fashion designer’s job can AI already do?
A moodboard and a size file come earlier. The hang of a cloth, and a show, do not.
This percentage does not predict how many people will lose their jobs.
Task comparison
IS WORK OVER?
Fashion designer
24%
AI can already do 24% of this job.
#263 / 633
View rankingFashion designer
Where the time goes
Task weights are our estimates based on O*NET frequency data, not time shares published by O*NET.
The time saving for each task is estimated separately.
| Task | Share | AI | Points |
|---|---|---|---|
Moodboards, tech packs and sizes.EstimateNo public source provides a precise figure. This is our estimate. | 20% | 48% | +9.6 |
Research trends and cost.EstimateNo public source provides a precise figure. This is our estimate. | 16% | 35% | +5.6 |
Pattern, prototype and fit on a body.EstimateNo public source provides a precise figure. This is our estimate. | 18% | 12% | +2.2 |
Choose cloth, mill and real colour.EstimateNo public source provides a precise figure. This is our estimate. | 16% | 15% | +2.4 |
Collection, lookbook and atelier relationship.EstimateNo public source provides a precise figure. This is our estimate. | 16% | 12% | +1.9 |
Brand taste and what does not ship.EstimateNo public source provides a precise figure. This is our estimate. | 14% | 14% | +2 |
| Total | 100% | 24% |
Modelled workweek: 100% · Public evidence: 0% · Estimate: 100% · Confidence: Low
Skills and activities
- design interfaces
- prototypes
- figma
- Moodboards, tech packs and sizes
- Research trends and cost
- Pattern, prototype and fit on a body
- Choose cloth, mill and real colour
- Brand taste and what does not ship
- diseñador de moda
- fashion designer
Sources for this job· O*NET 27-1022.00· ESCO/ISCO 2163
IS WORK OVER?
Screenwriter
26%
#203 / 633
View rankingScreenwriter
Where the time goes
Task weights are our estimates based on O*NET frequency data, not time shares published by O*NET.
The time saving for each task is estimated separately.
| Task | Share | AI | Points |
|---|---|---|---|
Bibles, treatments and sequence breakdowns.EstimateNo public source provides a precise figure. This is our estimate. | 20% | 48% | +9.6 |
Dialogue, variants and fast rewrites.EstimateNo public source provides a precise figure. This is our estimate. | 20% | 40% | +8 |
Writers’ room and showrunner notes.EstimateNo public source provides a precise figure. This is our estimate. | 16% | 18% | +2.9 |
Fit to budget, locations and cast.EstimateNo public source provides a precise figure. This is our estimate. | 16% | 12% | +1.9 |
Pitch, sale and studio relationship.EstimateNo public source provides a precise figure. This is our estimate. | 14% | 15% | +2.1 |
Decide tone, cut and what is not written.EstimateNo public source provides a precise figure. This is our estimate. | 14% | 12% | +1.7 |
| Total | 100% | 26% |
Modelled workweek: 100% · Public evidence: 0% · Estimate: 100% · Confidence: Low
Skills and activities
- Bibles, treatments and sequence breakdowns
- Dialogue, variants and fast rewrites
- Writers’ room and showrunner notes
- Fit to budget, locations and cast
- Pitch, sale and studio relationship
- Decide tone, cut and what is not written
- guionista
- screenwriter
- script
Sources for this job· O*NET 27-3043.00· ESCO/ISCO 2641